Subhechcha Ganguly 
Photography has been an evident way of describing every small and minute thing that often goes unnoticed with bare eyes. Photographers have keen interest in capturing different types of photographs. Each photographer has a different skill set . Some might have their interest inclined in capturing portraits and still Life’s whereas some other find interest in Nature Photography. The interest in photography has seemingly increased in the present generation . People nowadays not only capture photos from their cellphones but also carry several equipments to places they visit. Let us read about what Prateek Pattanayak a wild life Photographer hailing from Odisha has to say.
Wild Life Photography has always been a topic of great interest for people . This is probably the only kind of photography where we can capture the nature in its truest form. The scenic beauties are very well represented in wildlife photography which often gets ignored with bare eyes. Prateek Pattanayak is an photographer and Cinematographer who completed his graduation from the reputed KIIT University in Bhubaneswar , Odisha. He always had interest in in photography and loved travelling and capturing beautiful scenes. Prateek also says that one photograph can be perceived differently by different people. That’s the true essence of Photography.
In 2013, Prateek often used the DSLR his father had in some special occasions or events from which he learnt the basics of photography. Prateek is also a part of Juggernauts (Official Fanbase of Professional Football Club ) Odisha FC. Prateek also believes that photography is not as easy as it seems. One has to love Photography to take it as a profession in future. Several challenges and hardships might occur suddenly and the best shots can be ruined at any moment . It’s a very risky profession but if one enjoys it . It is worth taking up.
For more of his photos you can visit his instagram profile https://www.instagram.com/p/CQV9znNLOkP/?utm_medium=copy_link
Interview by Subhechcha Ganguly .
