Interviewtimes 
In a world of ever-evolving art forms and changing cultural landscapes, there are rare individuals who dedicate their lives to preserving the beauty of traditional arts. Maguni Charan Kuanr, an 85-year-old puppeteer from Odisha’s Keonjhar district, stands as a shining example of such unwavering commitment. His relentless efforts to revive and promote the traditional rod puppet dance form of Odisha have earned him the prestigious Padma Shri award.
Join us as we delve into Mr Kuanr’s extraordinary journey, marked by perseverance, overcoming societal barriers, and his unwavering passion for a dying art.
Q: Congratulations on receiving the Padma Shri award, Mr Kuanr! How do you feel about this national recognition of your art form?
A: Thank you very much. I am deeply humbled and filled with immense joy knowing that my lifelong dedication to the art of rod puppetry has been recognized on a national stage through the esteemed Padma Shri award. It serves as a validation of the countless hours, sweat, and tears I have poured into keeping this traditional art alive.
Q: Could you tell us about the challenges you faced in pursuing rod puppetry, considering it was traditionally associated with the Dalit community?
A: Indeed, my path to becoming a master puppeteer was not without hurdles. As a member of a higher caste, venturing into the realm of rod puppetry, an art form traditionally associated with the Dalit community, was met with resistance from society and even my own family. However, the fire within me to explore this mesmerizing art form burned brighter than any obstacle or prejudice.
Q: Can you shed some light on the significance of rod puppetry and its current state in Odisha?
A: Rod puppetry, known as Kathi-Kandhei Nacha in our local language, holds a profound historical and cultural significance. It is an ancient form of visual art that has been passed down through generations. Unfortunately, in the face of modernity’s relentless advance, this cherished art form is gradually fading away. It is essential for us to preserve and promote our traditional arts, for they are the soul of our heritage.
Q: How did you manage to elevate rod puppetry to a professional level during an era when it was relatively unknown?
A: Determined to breathe new life into rod puppetry, I established my troupe, Shri Viswakarma Kalakunja, and embarked on a transformative journey. I painstakingly crafted around 300 puppet characters, each intricately engraved on pieces of wood. My shows, predominantly based on revered epics like the Ramayana and Mahabharata, quickly captured the hearts of audiences. People eagerly awaited the arrival of our troupe, and we embarked on remarkable journeys, transcending borders to bring the magic of rod puppetry to various regions.
Q: What are your hopes for the future of rod puppetry? How can the government and society help in preserving this dying art form?
A: My heartfelt aspiration is to witness greater support and recognition for rod puppetry from the government and society alike. I firmly believe that the government should play an active role in facilitating more shows and events that showcase this enchanting art form. Additionally, efforts should be made to raise awareness among the younger generation about our traditional arts, igniting their curiosity and passion. Together, we can ensure the vibrant legacy of rod puppetry thrives for generations to come.
Q: Apart from the Padma Shri award, you have received other notable recognitions for your contributions to the performing arts. How do these accolades motivate you?
A: The accolades I have received, such as the Central Sangeet Natak Akademi Award and the Kabi Samrat Upendra Bhanja Samman, hold profound significance in my journey. They not only acknowledge my tireless dedication and unwavering commitment but also serve as powerful motivation to continue my efforts. These honours remind me of the paramount importance of preserving our cultural heritage and inspire me to impart the knowledge and skills I have acquired to the younger generation.
Q: What message would you like to give to aspiring artists and those interested in preserving traditional art forms?
A: To aspiring artists and enthusiasts of traditional art forms, I impart the wisdom of passion, dedication, and perseverance. The path may be arduous, and obstacles may abound, but with unwavering determination, one can overcome any challenge. I urge everyone to treasure and preserve our traditional art forms, for they serve as radiant threads weaving our cultural tapestry, breathing life into our past, present, and future.
Maguni Charan Kuanr’s extraordinary journey as a puppeteer and his unwavering dedication to reviving rod puppetry are testaments to the resilience of traditional arts. His recognition as a Padma Shri awardee reflects the profound importance of preserving our cultural heritage amidst a rapidly changing world. Through his relentless efforts, Mr Kuanr has not only preserved a dying art form but also ensured its continued enchantment for generations to come.
