Subhechcha Ganguly 
Interview with the Author of “Fading Primrose, Oleanders of Passion.”
Tritrishna is a writer who treasures writing about love and courtship. She is prudent, quirky, and a fanatic about traveling. Her intellect is always contemplating pristine ways to disclose meaningful and riveting sagas. Her main emphasis is the romantic genre, but she is receptive to writing about any topic if it illuminates her.
Q1) How did you understand your calling as an author? What was your first writing experience?
It was not something that just ensued to me out of the blue. Authors are comprehended to have a manner with words they realize while setting introspections to paper, but my design was different. I never assumed to become one when something transpired to me in class 11, and I penned my first Bengali poem.
The writing was juvenile, and no one could call it a poem, but I was adequately sunny after positioning my jibber of sense out on paper and not disavowing falling in love with poetry. Not with my nonsensical poem, but poetry reading became my world overall.
Q2) How did you decide on the plot for “Fading Primrose, Oleanders of Passion”? Please give us a short brief about the book.
I am a person steered by love. I acknowledge I love; therefore, I exist. And on that notation, I desired to unleash my inner introspections as a lover for my readers, and my two books, Fading Primrose and Oleanders of Passion, became a reality.Ache and love are interconnected, and love and yearning are parallel. Yearning makes us robust and trains us to linger for the perfect one, and when we renounce that one. What happens? Uncover in this collection of love poems, Fading Primrose.Life metamorphoses when you meet love. Love in its heavenly form. No matter if you only acknowledge it. Love is magnetic when it’s one-sided, I speculate—my deduction. But you got to pick Oleanders of Passion for scooping love and its unruffled charm.
Q3) Nowadays, most youths are much more focused on social media than reading books. What is your view on this topic?
With the growing sway and fondness towards social media, it has become challenging to fill the room with books, and it is beneficial to debate whether social media is eradicating the practice of reading books. Yes, according to me they are affecting big time. Social media is an ineffectual use of duration and hinders creativity compared to reading books, facilitating the power to comprehend and think.
Q4) Kindly attach the links to your books so readers can grasp these beautiful reads.
Fading Primrose –
Oleanders of Passion –
Q5) We know that a lot of hard work goes behind the launching of books. From preparing the final manuscript to writing the first draft till publishing. Tell us your experience and to whom you would dedicate your success in this process.
During the lockdown, I started envisioning my ideal book, my solo one, for the first time though I struggled at perpetuities. I felt like renouncing in diverse scenarios, but something thrust me from inside—my bard: my allegiance to penning ingrained in my heart. Finally, a fulfilled longing was rimmed in a cover, and the book Fading Primrose witnessed the daylight. My success entirely fibs for this book on the shoulders of my muse Shivangi and my publisher Famian.
Oleanders of Passion were more like an undertaking to me, and it was a derivative of 21 days challenge indexed by Writersgram Publications. It later became a poetry book adding 9 more poems totaling 30. This book was penned in a very brief time, over a week.
Q6) What would be your advice to today’s youth who want to become an author?
I am earnestly not someone who harbours a place to provide individuals who want to be an author any advice, but if I had to say today’s youth should read more and more and try journalling to sustain rehearsing the writing routine.
